Annia Hidalgo began her training in the province of Holguín and continued at the Cuban National Ballet School in Havana under Professor Ramona de Saa. In 2004, she was awarded the Gold Medal in the International Ballet Competition. That same year, she joined the Cuban National Ballet as a soloist under Alicia Alonso. Her repertoire includes soloist and principal roles in La Fille Mal Gardée, Coppélia, Giselle, Swan Lake, Don Quixote, Paquita, The Nutcracker, The Sleeping Beauty, La Bayadère, Scheherazade, and Prince Igor. Hidalgo has performed as a principal with Media City Ballet and a soloist at Los Angeles Ballet. During her career as a Principal Dancer with the Milwaukee Ballet, Hidalgo danced as Alice in Septime Webre’s ALICE (in wonderland) and nearly every featured role in Michael Pink’s ballets, including Musetta in La Bohème (created for Hidalgo), Odile in Swan Lake, both Lucy and Mina in Dracula, Snow White in Mirror Mirror, Clara, Marie, and the Snow Queen in The Nutcracker, Belle in Beauty and the Beast, and the title roles in Giselle and Cinderella. She also appeared in the winning pieces from Genesis 2013 (Gabrielle Lamb’s Manifold), 2015 (Garrett Smith’s Mortal Form), 2019 (Aleix Mañé’s Exilio), and 2022 (Price Suddarth’s Aftermath).  Hidalgo has danced as a guest artist with Rockford Dance Company, Traverse City Dance Project, Madison Ballet, Engage Dance Academy, Ballet Juvenil Costarricense in Costa Rica, and was proud to appear in the premiere performance of Refuge Foundation for the Arts. She enjoys sharing her knowledge of classical ballet as a teacher in various summer programs and schools around the country.